Thus, Stoker’s novel elucidates the techno-scientific and socio-cultural constellation into which psychoanalysis was born. Dracula provides a window into fin-de-siècle research practices, collating various disciplines (haematology, virology, psychotherapy, neurology) into a genealogic Gesamtbild. Rather than seeing science and literature as separate cultures, moreover, Dracula as a case study reveals how techno-scientific and literary developments mutually challenge and mirror one another, so that we may use Stoker’s novel to deepen our understanding of contemporary science-related developments and vice versa.
In other words, I read Dracula as a window into biomedical and bio-political challenges surfacing in the 1890s, but evolving into major research areas. These developments not only herald a new style of scientific thinking, but also foreshadow a number of developments still relevant for contemporary culture.
This paper analyses Bram Stoker’s classic Dracula as a literary document which reflects important scientific and technological developments of the fin-the-siècle era, ranging from blood transfusion and virology via psychotherapy and psychoanalysis up to brain research and communication technology.
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